TV Talk: Veronica Mars

Seriously, what happened to Francis Capra this year? He looks like Barry Bonds, post-clear.


TV Talk: Veronica Mars

Starring: Kristen Bell, Jason Dohring, Percy Daggs III, Ryan Hansen, Julie Gonzalo, Chris Lowell, Tina Majorino, Michael Muhney, Francis Capra, Enrico Colantoni

Series Creators: Rob Thomas

I had mixed feelings for season two of Veronica Mars. It was still my favourite show on television, and of higher quality than most of what is on TV, but I felt it was flawed, failing to stay on point with the main mystery (the bus crash) enough to consistently develop the proper level of urgency that a mass murder of her classmates should’ve had. So, I was encouraged by the CW’s decision to limit the show to mini-arcs for ongoing mysteries, instead of drawing them out for the entire season. What worked really well for the first season, the murder of Lily Kane, might not work every season, so instead of constantly trying to up the ante every season with longer and harsher mysteries, why not give us a few in a season, along with the mysteries of the week that make the show so great.

Although, the show never really dragged out the bus crash mystery last season, it just went away from it too often. They did this in season one at times as well, but that was more understandable, as the Lily Kane murder was farther away from her when the season started. There had already been an investigation, and someone had already been convicted of the crime. The bus crash, on the other hand, kicked off the second season, with Veronica (Kristen Bell) quickly deciding that it may have been an attempt on her life. You’d think that would’ve made her incredibly invested in finding out what happened, but instead, too often she seemed to drift into clues along the way.

Hopefully, the shorter arcs will keep Veronica invested in the big mystery while she gets sidetracked by the MotWs. A tall order, to be sure, as the network has mandated that the show push the MotWs to hopefully bring in new viewers (while, oddly, allowing the show to pursue the bigger mysteries without constantly filling in the details to new viewers. Which is awesome). So it made sense for me to put off discussing my favourite show until the first arc wrapped up, which it did awesomely last week to send the show into the break.

All in all, I think the first arc was a success, albeit with some glitches that hopefully will be improved upon for the next arc. I like that they picked up the thread from “The Rapes of Graff” one-off episode from last season. That episode dealt with the really sinister idea of a serial-rapist at Hearst College, an idea too big to have been dealt with as a MotW, so I’m glad they didn’t drop it as soon as Veronica helped bail out Icetwin Troy (Aaron Ashmore). The season premiere dealt with it well, showing protest rallies that reveal that rape was still very much a problem at Hearst, without delving Veronica and the gang into the action too deeply right away. It was important to establish the character’s new post-high school roles and introduce the new characters before giving Veronica her mission, which they did quite chillingly when Parker (Julie Gonzalo) is revealed to have been the next victim, and Veronica was unknowingly there when it happened.

Given her history with rape (she was, she wasn’t, but, wait, she was), Veronica probably would’ve been motivated to solve this case anyway, but giving her a personal connection to it through Mac’s (Tina Majorino, finally in the main cast!) new roommate, combined with her own guilt for not having stopped the attack that she assumed was simply sex, gave Veronica a purpose. A motivated Veronica is a dangerous thing, not only to the subjects of her investigations, but to herself and her relationships. The series is always showing us the negative consequences to her single-minded drive, be it using her friends while at times disregarding their feelings, pushing people away, or getting herself into dangerous situations, and there was some of all of that this season.

The subject of rape is obviously a touchy one, so I understand if some people were uncomfortable with a show like this dealing with it so extensively. Part teen-melodrama, part noir, and full of sarcastic wit, on the surface, Veronica Mars may not be the best show for such a topic. But, I’d wager that the show did a better job with this loaded topic than your average crime procedural, who deal with graphic shit like this weekly in an attempt to draw in viewers and possibly push a conservative agenda similar to those of 80s slasher flicks (have sex on CSI, wind up dead). The fact is that rape is an epidemic problem on college campuses, so I think it appropriate for the show to deal with it as one of the harsh realities of college life as it starts its new post-high school era.

As for the mystery itself, I think the show did a great job throwing in hints and red herrings, keeping us guessing while providing enough evidence for some viewers to give solid hypothesis as to who was behind the rapes. It’s key for any mystery series to allow the viewer to play along, but too many cop out and throw in a surprise ending that was, until that point, impossible to conceive. I’m not saying I had it guessed correctly, but the assailants both were on my radar at different points this season.

I particularly like how the show tied in a seeming one-off sub-plot, Professor Landry’s (Patrick Fabian) prison experiment, which, if I have deduced correctly from the photo Veronica discovered in Moe’s (Andrew McClain) room and the relationship between Moe and Mercer (Ryan Devlin), is where Moe and Mercer met. Moe mentioned that his participation was a “life-altering” event for him, which now seems like an experience where the charismatic and sociopathic Mercer brain-washed Moe into helping him date-rape coeds. I do so hope the show explains this when it comes back.

While I was overall pleased with the first arc of season, culminated in an A+ episode with “Spit & Eggs”, there were some kinks that need to be worked out, kinks created by the accelerated storytelling necessitated by the mini-arc format. They had a lot of business to take care of these first nine episodes. Along with the serial rapist thread, the show also had to introduce its characters and us to the new surroundings of Hearst College, deal with the fallout from last season, show the characters in their new lives, and introduce new supporting and main cast members. The new supporting cast have been handled well, which is good because the large supporting cast that comes in and out of the series is a strength of the show (albeit one that demands a lot from viewers). However, the introduction of new main cast members was less than strong. Majorino and Michael Muhney (Sheriff Lamb) were added to the main cast, but that was more a recognition of their place in the series than a real change, so it went fine (although I would like to see more Mac. I can only hope her absence in some episodes was caused by her Big Love commitments, because she’s awesome in that as well). New characters Parker and Piz (Chris Lowell), on the other hand, weren’t handled as well.

This isn’t the case of creating too bloated a cast, as they’ve really only replaced Jackie (Tessa Thompson) and Beaver (Kyle Gallner) with Parker and Piz, leaving the cast size the same as last season. The show just had too much to do to properly ingratiate the characters to the audience, a situation I hope they improve in the next arc. Lowell is a great addition as Piz, who not only gives Wallace (Percy Daggs III) a buddy to be a guy with, but also has a role (radio announcer) that can both be a storytelling device and a tool at Veronica’s disposal (like Wallace’s office aide job used to be). Also, his bad dancing last episode at the Pi Sig party was fantastic. Parker is a tougher character to warm to the audience, especially since non-Veronica females on this show haven’t fared well with fans (see: Jackie, Meg, Gia). I liked what the show did with her this last episode, which I hope will be a stepping stone towards her having a bigger role in the show. I think her character can be a good balance to Veronica and Mac’s sardonic tone, so I hope they have more in store for her.

I also think there’s work to be done dealing with the fallout from last season. It’s possible that Veronica’s somewhat-bitchy attitudes at times this season can be traced back to what happened, which would be nice, since I think there needs to be a reason why she’s been a bit of a pill at times this year. I definitely think that some of the tension between her and Logan (Jason Dohring) can be traced back to last season, if not for the seeing Beaver kill himself in front of them (after he tried to kill them), then at least for Logan’s relationship with Kendall (Charisma Carpenter), and possibly Duncan’s (Teddy Dunn) relationship with Meg (Alona Tal). They’ve touched upon Veronica’s trust issues, and I hope they bring it to a head this season following her and Logan’s breakup. What I don’t want to see is Piz end up being Logan’s romantic foil, cause that would be death for his character.

I didn’t really like how hastily they wrapped up the Kendall storyline to begin the season, but I figure they just decided not to pursue her story any further and had to wrap up loose threads. What I didn’t like about it, and subsequent storylines, is that they’ve made Keith (Enrico Colantoni) look sloppy. Cormac Fitzpatrick (Jason Beghe) got the best of him and Vinnie Van Lowe (Ken Marino) got the best of him twice. In all, I don’t think Keith has done very well this season thus far, so I’d like to see that turn around. He’s too strong a character and Colantoni is too good in the role to waste.

However, it’s too early to judge these flaws too harshly, as the series has a way of wrapping things up just when you thought it had forgotten them. I think they’ve set up the next arc nicely, the murder of Dean O’Dell (Ed Begley Jr.), which should give Weevil (Francis Capra) a bit more to do, as you have to imagine he’ll be the first suspect, and shine suspicion on supporting characters like O’Dell’s wife (Jaime Ray Newman), Professor Landry, and Veronica’s new rival Tim (James Jordan), along with anyone who wrote a particularly strong paper planning out the perfect murder. Should be fun.

Questions? Comments? Theories? I’d love to hear your thoughts.

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2 thoughts on “TV Talk: Veronica Mars

  1. I just finished watching the VM series on Netflix.

    Personally, I didn’t like how the 3rd Season multiple arc mysteries just disappeared from the plot once they were solved. After 9 episodes of tried to bring a serial rapist to justice, he’s found, jailed, and assumed to be beaten up by Logan, who vandalized a cop car just so he’d be placed in the same cell with the scum. But then, absolutely nothing was ever discussed about it again… ever! Nothing showed what happened to Mercer (was he expelled? Did Logan’s beatdown put him in the hospital?), and there was no talk about the campus community recognizing the magnitude of the rapes (Does Pi Sig finally gain some respect for the women who have been trying to stop the rapes?), and Parker only referenced her own attack once (while trying to get Mac & Veronica to loosen up and flirt with boys at a party). Further, I’m confused at how fast Parker’s hair grew back.. especially after that horrible scene where her mother is blaming her for her rape while trying on god-awful wigs. Mac compassionately tells her one of the wigs looks good… and then the next episodes her hair is back to its bouncy blond self. Weird. I just think it threw me for a loop after watching all 3 seasons back-to-back that such a major piece of the plot disappeared from the story so abruptly (while even in season 3 there were STILL traces of the Lily Kane murder & Aaron Echolls trial piecing together, and the aftermath of Cassidy’s suicide on Dick’s mental health was touched on)… I found myself saying more than once.. “what the heck happened with the rapes?? It’s just done?”

    And then off to another “arc mystery” of the Dean’s murder. It was almost as if the rape mystery was a mini season within itself. The very next episode, all of the actors had fresh haircuts, (I guess in real time there was a break between these episodes?… but like I said, I watched them all back-to-back pretty quickly), and it was as if Mercer’s brutal attack on Veronica never happened.

    I found the 3rd season to be a quite discombobulated. And what was with that final episode?? The season (and series) ended mid mystery? Now THAT is sloppy… forget Keith’s character losing his pizazz. I was so confused. I’d like to know why they even bothered to start that new plotline of Veronica being taped and her going after the secret fraternity, and winding up to the Sheriff Election, if none of this going to get wrapped up by the end of the season.

    I am now a VM enthusiast for sure. Overall loved it… I would often watch a few episodes at night before going to sleep, leaving me to dream of fighting crime with Veronica & her dad quite a few times. It infiltrated my brain! lol This might be why I felt cheated when that rape mystery just cut from the storyline with no wrap up.

    Any thoughts on this?

    • The third season of VMars is yet another example of what happens when a show struggling for its ratings life hangs around too long. The talent of those involved is still apparent, and thus the show is still pretty good and involving for fans, but crucial elements that once made it great had to be shoved aside in one last push to try and survive.

      The first two seasons failed to give the show large enough ratings to justify its continued existence, but the CW gave it one more shot due to its critical response. In exchange, the network pushed to get rid of the large season-long arcs in an attempt to make it easier for new viewers to jump in. The trade off was two mini-arcs, with a couple more single episodes episodes thrown in at the end. So I think that explains the discombobulated nature of the two: they didn’t carry over too much from the first half in case viewers were hoping on for the second (which… did not happen).

      If the show was allowed to operate the way they wanted, I’m sure the rape storyline would have carried on more. Another issue could have simply been that viewers never responded to Parker (just like any other non-Veronica or Mac female character), so they mostly rebooted her to try something else that might work. Sloppy, but such is the nature of television.

      As for ending the season (and thus series) with an unsolved mystery, I think the show was just trying to put something out there on the off chance that they’d get a fourth season. I remember when watching season three, I was ready for the show to end, not because I stopped loving it, but because I didn’t want it to have to keep changing what I loved about it to stay alive. But then they did the final two episodes that seemed to be getting back to the Veronica Mars we fell in love with (she was a little more vindicative and feisty in those episodes, back to fighting against her oppressors), and I was upset again that there wouldn’t be anymore. The ending teased an exciting direction for the series, which I think is what the creators were going for.

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