It’s been over a month since I started this thing, so I should probably get around to finishing it off with the two biggest awards. Of course, if you’ve been paying attention, you can reasonably predict how these two categories will go. For the preamble, including an explanation on what exactly the Andy TV Awards are, go here. Shows that received Emmy nominations in these two categories that I don’t watch, and thus had no chance of getting nominations here include House and Family Guy. Continue reading →
For the preamble, including an explanation on what exactly the Andy TV Awards are, go here. Shows that received Emmy nominations in these two categories that I don’t watch, and thus had no chance of getting nominations here include House, Two and a Half Men, Monk, The Mentalist, or all of the second season of The Big Bang Theory. Continue reading →
For the preamble, including an explanation on what exactly the Andy TV Awards are, go here. Shows that received Emmy nominations in these two categories that I don’t watch, and thus had no chance of getting nominations here are The Sarah Silverman Program, Samantha Who?, The New Adventures of Old Christine, Law & Order: Special Victims Unit, Brothers & Sisters, Brothers & Sisters, and Saving Grace . So basically, almost all of them. Continue reading →
For the preamble, including an explanation on what exactly the Andy TV Awards are, go here. Shows that received Emmy nominations in these two categories that I don’t watch, and thus had no chance of getting nominations here include Boston Legal and Two and a Half Men. Continue reading →
For the preamble, including an explanation on what exactly the Andy TV Awards are, go here. Shows that received Emmy nominations in these two categories that I don’t watch, and thus had no chance of getting nominations here include Ugly Betty, Pushing Daisies, and 24. Continue reading →
Since I don't have actual hardware, I'll pretend the Andy TV Awards look like this
I wrote what was probably my final Andy Movie Awards post earlier this year since I no longer have the time to see all the movies I used to, which is unfortunate. The bright side is that I have a lot more time to watch TV, leaving me more prepared for this year’s edition of the Andy TV Awards, just in time for the Academy of Television Arts and Sciences to increase the amount of nominees to six per acting category and seven per best show award. To recap, the Andy Awards are my way of not only picking out the best in each field, but also the nominees. Too many posts around award time waste time picking from the group of flawed choices that the various award shows present. I’d rather pick from the best. Plus, it basically gives me a chance to post a series of lists, and I loves me some lists. Continue reading →
It’s time once again for one of my signature posts: the fifth (and probably final) Andy Movie Awards, where I select not only who I think should win the awards being handed out this Sunday, but also who should’ve been nominated with those winners. There’s a lot of posts around this time of year where writers predict who they think will win Oscars, and some about they think should win. But unless you’re the only person in the world who agrees completely with the Academy’s nominees, it’s a false choice. What if your winner wasn’t nominated? What if you’re forced to choose the only worthy nominee in a group of junk?
Instead, I write a super-long post that basically amounts to a series of specified year-end lists, not only for the big awards that people care about, but also the other awards that most people don’t. The only Academy Award categories for feature length films that the Andy Awards don’t cover are Best Achievement in Editing (because I don’t know enough about the process to pass judgement, as with most viewers, I only notice editing when it’s bad), the two sound categories (as it’s not something I notice while watching movies), and Best Original Song (because it’s a stupid award. Instead, I’ve substituted it for my own award).
To make my decisions, I’ve seen 66 films that had a North American release date in 2008. The Academy nominated a total of 36 feature length films, of which I’ve seen 27 (75%). When you take out the ten films nominated in the foreign language and documentary categories (only four of which were released outside of LA/NY… I caught three of those), I’ve seen 24 out of 26 (92%), with the exceptions being Defiance (nominated for Original Score) and Australia (nominated for Costume Design). Thus, whenever my nominations divulge from the Academy (other than in those four categories), it’s because I disagree, not because I don’t know. Which brings me to why this very well may be my last post of this nature: I can’t imagine myself finding the time in the upcoming years to watch this many movies again.
The Emmy Awards are this weekend, and once again, the list of nominees are wrong. It’s impossible to please everyone, but the Academy of Television Arts & Sciences make it especially hard. It’s interesting: while the Oscars have drawn heat of late for the fact that their nominated pictures aren’t widely seen productions, the Emmy people continue to baffle critics by insisting on nominating popular (and inferior) shows like Two & a Half Men or Boston Legal. But it wasn’t all bad this year (you can see the Academy’s full list of nominees here, although you’re probably better off with an abridged version, like the one here), as they got around to recognizing some smaller cable shows like Dexter and Mad Men.
But rather than be one of those people who complains about the snubbing of one show or another, I’m one of those obsessives who will come up with my own list of nominees and winners to show just exactly who was snubbed and who wasn’t. In doing so, I do have some sympathy for Academy voters, as even an avid TV viewer such as myself can’t manage to watch every great show (although I do like to think that I watch more than the average Academy member). Among the highly-acclaimed shows that I haven’t seen (and thus will not be eligible for awards) include Battlestar Galactica (I know, I know… I will check it out eventually; at this point, I think it’s best to wait for the whole series to come out on DVD), Breaking Bad, Brothers & Sisters, Doctor Who, House, and Nip/Tuck.
Some ground rules: to qualify for nomination, a show must have aired most of its season, including its season finale, in the past 12 months. Unlike the Emmys, each category is limited to five nominees each (the Academy wimps out a few times with six nominees on occasion). To decide what shows belong where, and which actors belong where (i.e., comedy vs drama, lead vs supporting), I used the official ballot for performers (which you can see here), even in situations that don’t necessarily make sense. Also, my votes are based on entire seasons, not single episodes (except when appropriate). And best of all? No awkward monologue to start the show… Continue reading →
Welcome to part two of the Andy Movie Awards, filled with the major awards that people care about, and the lesser ones they sneak in between while the stars are off doing interviews and such. Don’t think of this as an overly long post stuffed with filler, think of it as 18 year end lists for the price of one!
It’s that time, once again, where your’s truly breaks down who would be nominated for and win film awards if I were the only voter. As the title suggests, this is the fourth year in a row I’ve done this, with each year growing a bit bigger and more obsessive. This year, there were 39 different feature-length movies to receive Academy Award nominations, not including the Best Foreign Language category (which was made up exclusively of films that have yet to be released in North America). Of those 39, I saw 31 of them, which roughly equals 80%. The ones I missed include Operation Homecoming: Writing the Wartime Experience, Taxi to the Dark Side, and War Dance in the documentary category, as they haven’t come to my neck of the woods yet, Enchanted and August Rush in the Best Original Song category (because I don’t accept it as a legitimate category), Best Original Score nominee The Kite Runner (the only film I missed that I might have seen if I had a bit more time), Best Makeup nominee Norbit (because, well, come on), and Pirates of the Caribbean: At World’s End, nominated for Best Makeup and Visual Effects (since I haven’t seen any of the Pirates movies). In all, I’ve seen 73 feature length films that were released in North America in 2007 (see the full list here, which probably makes me a more informed voter than most of the Academy.
To make this a little easier on readers (and thus, hopefully, create some readers and maybe even commenters), I’m breaking this year’s awards up into two posts. So take in part one now, then come back for the finale, which will include the winner for Best Picture. For now, let’s get all the seat-fillers in place, and start the show… Continue reading →
You know how the Oscars are often stupid and wrong? The worst part of it is that the Oscars are far better than any of the other entertainment awards, for the simple reason that voters have a much better chance at seeing more of what they’re voting on. Even a professional television critic can’t hope to watch every show out there. I’m no different, so there will be a lot of omissions here that have nothing to do with quality. But, I do watch a fair bit of TV, and I like to think most of it is good. To get it out of the way, acclaimed shows that I don’t watch include The Sopranos, The Wire, Extras, 24, Battlestar Galactica, Ugly Betty, Brothers and Sisters, Friday Night Lights, and any procedural. Because I can only watch so much, I’m limiting my nominees to three per category. Continue reading →
And now, the real reason I make so much effort to watch any and all Award-type movies: so I can compile my own list of winners, making as informed votes as possible for someone who has to pay for every movie he sees (unless I’m with someone who pays for me), and find the time to watch them in between a job and life that are not in the movie critics field (well, not yet anyway).
To qualify for an Andy Movie Award, a movie had to A) be released theatrically in North America within the calendar year of 2006, and B) be seen by me. These rules made 54 movies eligible (one of which I just watched 6 hours ago), but leaves out a couple documentaries I saw from HBO and Showtime. As for movies that were actually nominated by the Academy, there were 43 different feature length movies nominated for an award by the Academy, of which I saw 28 (65%). The percentage increases if you take the Documentary and Foreign Language categories out of the equation, as I missed 6 of them (3 each) for the simple matter that they haven’t been available in my part of the world (well, one was made available last week, but has only shown maybe 7 times since then). That would bring my percentage up to 73% (24 of 33), which would be the percentage of Oscar-nominated movies that I had the ability to see and did see, which ain’t bad if I do say so myself.
Here, I will present my nominees and winners in the same categories, and in the same order, as the Academy did on their telecast, with the exception of short films (which I saw none, but do have three downloaded to maybe watch later), the categories I don’t know enough about to make nominees (Editing, Sound, Sound Editing), or the category I think is completely fucking stupid (Best Original Song). But enough with the introduction, on with the show… Continue reading →
Since the Andy Movie Awards 2005 were such a big hit, and because we all know I know more than those who give out awards, I’ve decided to do the Emmy’s one better, and list MY nominees and winners for the past TV season. Of course, unlike the Oscars, where I make a concerted effort to see all Oscar-baiting movies, I didn’t see every show of last year, or even all the critically acclaimed ones. Unlike the Academy, I’m basing my awards on all the episodes I’ve seen from last season of a particular show, instead of just one or two episodes that were submitted.
To be nominated, I had to have seen at least part of last season’s shows of the series. Thus, 24 and Arrested Development, two shows I’ve seen on DVD and enjoy, are not nominated because I haven’t seen season five and three respectively. Other critically-acclaimed shows that I do not watch include The Sopranos, House, Curb Your Enthusiasm, any CSI or Law & Order shows (actually, no procedurals at all), The Office, Six Feet Under, The Shield, or Boston Legal. Despite not having seen any of those shows, I still think I did a better job than the Emmy people.
NOTE: I’ll only being doing major categories, and for two of them, I won’t have nominees. Because I’m not judging single episodes (too hard), I won’t be doing any writing or directing awards. Also, no mini-series or TV movies. Continue reading →