Welcome to a new feature on the blog, “A Moment in Song”, where I analyze some of my favourite moments in some of my favourite songs. Music can work on many levels, with the best songs featuring a combination of lyrical content, musical arrangement, tempo, vocal stylings, and just a little bit of magic to create something memorable. But sometimes within a song is one transcendent moment that stands out, a moment that hits you the first time you hear it and every moment after that. That moment may only be seconds long, but it’s what you always remember when you think of the song. This feature focuses on such moments to try and highlight all the little things that make music such a special experience.
The Song:“The Good That Won’t Come Out” by Rilo Kiley from The Execution of All Things LP (2002)
After the banner year in music that was 2007, I suppose it was inevitable that 2008 would be a let down. And it was. It’s not that there wasn’t any good music released this year; after all, I was able to come up with a full list of 20 (unlike with 2006, where I wimped out at ten). But there was a lack of greatness this year, with albums that rank very highly this year that would have ranked much lower the year previous. In fact, until I seriously started to think about how this list would shape up, many of the albums on it had failed to grab me throughout the year. In part, this has more to do with the fact that I spent the year listening to older music, but still, if I loved these albums like I loved the ones that topped last year’s list, I would’ve taken notice much earlier. The result is a list where I’m more comfortable with the bottom half (20-11) than I am with the top half. Not because the albums at the bottom are better (if they were, they’d be higher on the list), but because those albums feel like 20-11-type albums, whereas the albums that place highly on this album don’t really feel like high placing albums, but this year they are.
That said, these are all good to very good albums, and to prove it, I’ve included playable songs from each album. If that’s not enough to convince you click on the (more…) link, then there’s a good chance you don’t like my writing. And who needs you?!? Continue reading →
Much of Lucinda Williams’ catalogue explores the depths of pain and loss, be it in alternative country, folk, or blues fusion form. While she does have some up tempo tracks in her catalogue (often of the bawdy, blues-influenced variety) her best songs usually find her describing misery of some kind. It’s the sort of thing that makes her one of the best songwriters in the world, but could threaten to make an evening of her music a less than thrilling night out. Continue reading →