2011 was an odd year for me and music. Looking around year-end lists by other publications made me worry about how out of step I’ve become. Yes, some of the albums you’ll see on this list have popped up on other lists, but not as often as in year’s past. I’d like to say it’s because I’ve become more original and iconoclast, but honestly, it seems like the way to make this list was to be an artist I already liked releasing an album of similar quality to that which I’ve liked in the past (although it could just be that what was buzz-worthy this year was genres I don’t really care for). While I stand by my choices here, it’s possible that in the future, I may end up thinking of 2011 as the year my tastes calcified and I just gave up. But until then, at least I’ll have these albums to sustain me. Continue reading →
Welcome to a new feature on the blog, “A Moment in Song”, where I analyze some of my favourite moments in some of my favourite songs. Music can work on many levels, with the best songs featuring a combination of lyrical content, musical arrangement, tempo, vocal stylings, and just a little bit of magic to create something memorable. But sometimes within a song is one transcendent moment that stands out, a moment that hits you the first time you hear it and every moment after that. That moment may only be seconds long, but it’s what you always remember when you think of the song. This feature focuses on such moments to try and highlight all the little things that make music such a special experience.
The Song:“The Good That Won’t Come Out” by Rilo Kiley from The Execution of All Things LP (2002)
For the past three years, I’ve done a Top 20 Albums list. I could’ve easily done the same with this year, as there were double that many albums I was into this year. But as I was compiling the contenders for the list, I realized that there were only 15 I felt strongly about. If I took more time, I’m sure I’d feel that way about at least five more (especially ones released later in the year). But taking more time is something I really need to do less of on this blog (as followers of my top films of the decade list will attest. Only 12 more to go!). So a top ten with five honourable mentions made the most sense, but don’t take that as an indictment of the quality of music in 2010, which was generally high. Continue reading →
He likes their eclectic sounds. Either that, or he prefers jewel cases to digi-packs for chewing on.
Some people look at the calendar and think “doing a year end list over a third of the way through the following year is beyond indulgent”. I’m actually one of those people, but if I cared about being indulgent, I wouldn’t exactly be posting my thoughts about my favourite things to an ambivalent audience of dozens, now would I? This list, like all the lists I’ve been doing since January, was delayed due to personal reasons like being busy with work and my newborn son (pictured – already a developing music snob). With this particular list, there was also the practical reason that I spent most of 2009 listening to the best albums of the decade. So I needed these past few months to really experience and embrace the music of 2009 – and once I did, I must say, it was a pretty good year for music. So good that I couldn’t let it go unlisted (of course, my own compulsions probably wouldn’t allow it to go unlisted even if it were an average year for music). Continue reading →
Inspired by Maclean’s list of the Top 10 Canadian albums of the decade, I decided to bang out an all-Canuck version of my top 25 albums of the decade. This has been a fantastic decade for Canadian music, which benefited from the fracturing of pop culture that allowed small acts from Montreal, Toronto, Vancouver, and points in between to gain a foothold in the popular consciousness throughout the world, without having to overcome the traditional barrier in spreading Canadian art: we don’t have a big enough population to warrant attention. This was a problem back when bands had to sell millions of records and dominate the charts to get buzz. Now you just need to get the attention of the proper taste-makers, sell a few units, do the right festivals, and let the internet do the rest. Oh yeah, and have the talent to back it up.
Sure, we still had some artists getting attention the traditional way, like Nickelback and Avril Lavigne, and for that… I apologize. But judging our music by its most popular acts would be just as big a mistake as dismissing American music because of the work of the Black Eyed Peas and American Idol or the UK because of James Blunt and The X Factor. Instead, let’s celebrate the best.
The following is just a short list, with no write-ups, designed to just give an idea of what kind of decade it’s been for the True North Strong and Free (although, if you want to read write-ups for the top 8, see my Best Albums of the Decade list). I didn’t take too much time putting this list together, so don’t get too focused on the order. As always, this list is for entertainment purposes only, and should not be used for wagering of any kind. Continue reading →
When I first began this list I predicted that it might end up taking two months to complete. That was November 2nd, so I suppose I beat the prognostication by a couple days, and just got it under the wire for the change of the decade. And speaking of the wire, be on the lookout for my breakdown of the best TV shows of the decade sometime in the new year.
The end of the decade is fast approaching, and while some publications are starting to publish their end-of-decade lists, it does feel like it sort of snuck up on us, didn’t it? It wasn’t like that when the 80s ended, but I guess after everyone blows their collective load on the end of a millennium (that, depending on who you listened to, was supposed to portend the end of times), the passing of a decade can seem passé. Maybe it’s just because we’ve never settled on what to call this decade (is it the Ohs? The Aughts?). It’s like they settled on the name for the new millennium (2K) and just gave up.
So if there’s no consensus on what to name the decade, I suppose it makes sense that there’s been no attempt to define the decade. You know, besides the fact that it’s too soon. Cause it’s never too soon to make definitive statements online that will almost immediately become wrong and outdated! In that spirit, allow me to present my top 25 albums of the decade, two months before the decade is over.
The rules for the list are simple: anything I’ve heard that was released between January 2000 and now is eligible. I had no rule against multiple albums from the same artist (as you’ll see). But, when I was deciding between albums on the bubble of the list, those challenging for spots 18-25, I went with albums from artists not already represented earlier in the list for varieties sake. So if an artist does have multiple albums on this list, you can be assured that those albums are really good. Also, I’ve decided to publish this list five at a time, which will hopefully make it easier to read and reduce the temptation to just skim. The danger is that I’ll end up taking two months to complete the whole thing, but I figure that would happen anyway. Continue reading →
This is a meme making the rounds at Facebook (I guess now that everyone is done writing 25 random things about themselves, they need something else to write about). The idea behind it is thus:
“Think of 15 albums, CDs, LPs that had such a profound effect on you they changed your life, dug into your soul. Music that brought you to life when you heard it. Royally affected you, kicked you in the wazzoo, literally socked you in the gut, is what I mean.”
Okay, first off: IT IS IMPOSSIBLE FOR AN ALBUM TO LITERALLY SOCK YOU IN THE GUT!!! Contrary to popular opinion, the term LITERALLY does not mean “a term used to express exaggeration”, it actually means the exact opposite, in that it is to be used to distinguish reality from exaggeration (or figurative speech). But, getting back on topic, this is a topic I’ve thought about in the past to use as a blog post, as I’ve seen interviews in some music magazine (maybe Spin?) where they interview musicians asking what albums changed their lives.
Of course, those interviews are generally more interesting because: A) famous people are more interesting than random bloggers (at least that’s what US Weekly tells me), and B) as musicians, they’re probably talking about albums that convinced them to become musicians and influenced their style of music. Whereas for the rest of us, we’re talking about albums that maybe helped you through a break-up/taught you about the mysteries of love/first got you laid. In my case, these 15 albums helped shape my life as a fan of music, making me the audiophile I am today. Allow me to tell you why… Continue reading →
After the banner year in music that was 2007, I suppose it was inevitable that 2008 would be a let down. And it was. It’s not that there wasn’t any good music released this year; after all, I was able to come up with a full list of 20 (unlike with 2006, where I wimped out at ten). But there was a lack of greatness this year, with albums that rank very highly this year that would have ranked much lower the year previous. In fact, until I seriously started to think about how this list would shape up, many of the albums on it had failed to grab me throughout the year. In part, this has more to do with the fact that I spent the year listening to older music, but still, if I loved these albums like I loved the ones that topped last year’s list, I would’ve taken notice much earlier. The result is a list where I’m more comfortable with the bottom half (20-11) than I am with the top half. Not because the albums at the bottom are better (if they were, they’d be higher on the list), but because those albums feel like 20-11-type albums, whereas the albums that place highly on this album don’t really feel like high placing albums, but this year they are.
That said, these are all good to very good albums, and to prove it, I’ve included playable songs from each album. If that’s not enough to convince you click on the (more…) link, then there’s a good chance you don’t like my writing. And who needs you?!? Continue reading →
If you haven’t known me for a long time, it might surprise you to learn that I spent my youth listening to hip-hop. Exclusively. (I suppose the flip side of that is that if you only knew me then, you’d be shocked to learn that I no longer listen to hip-hop. The rest of you probably just clicked here due to some search, and are wishing I’d get on with it already). I don’t listen to it much anymore, other than the most popular, backpacker types (Common, Kanye, Lupe Fiasco, etc), nor do I listen to the music of my youth that often. I pared down my hip-hop CD collection from 400+ to somewhere around 30, and thrust myself into the world of indie rock as hard as I once followed urban American music. Continue reading →
Much of Lucinda Williams’ catalogue explores the depths of pain and loss, be it in alternative country, folk, or blues fusion form. While she does have some up tempo tracks in her catalogue (often of the bawdy, blues-influenced variety) her best songs usually find her describing misery of some kind. It’s the sort of thing that makes her one of the best songwriters in the world, but could threaten to make an evening of her music a less than thrilling night out. Continue reading →
I don’t watch a lot of commercials, since almost everything I watch (aside from sports) is from my DVR, but even with the small amount of commercial breaks I tolerate, I’ve noticed that a lot of the music I listen to has been showing up in advertisements. Some music snobs look at the increased presence of indie rock in commercials with disdain, rejecting artists that choose to allow their music to be used in ads as sell outs. To those people, I can only say: grow up.
We live in an age where many music fans get their music without paying for it, where radio playlists have been reduced to about 25 songs a day, and the channels on television that used to play music videos now play reality television instead. So if a band feels the need to get a guaranteed pay day for their efforts, while taking a shot at exposing their music to a wider audience, who are we to begrudge them (of course, there are some that can’t enjoy any music that is exposed to wider audiences, and to them I repeat: grow up).
So inspired, I decided to make a playlist of songs in my collection that have appeared of late in commercials. I call this mix “Commercial Songs that Aren’t Necessarily Commercial”. Click on the link to see the full track list, along with clips of the commercials in which they appear. Continue reading →