It’s time once again for one of my signature posts: the fifth (and probably final) Andy Movie Awards, where I select not only who I think should win the awards being handed out this Sunday, but also who should’ve been nominated with those winners. There’s a lot of posts around this time of year where writers predict who they think will win Oscars, and some about they think should win. But unless you’re the only person in the world who agrees completely with the Academy’s nominees, it’s a false choice. What if your winner wasn’t nominated? What if you’re forced to choose the only worthy nominee in a group of junk?
Instead, I write a super-long post that basically amounts to a series of specified year-end lists, not only for the big awards that people care about, but also the other awards that most people don’t. The only Academy Award categories for feature length films that the Andy Awards don’t cover are Best Achievement in Editing (because I don’t know enough about the process to pass judgement, as with most viewers, I only notice editing when it’s bad), the two sound categories (as it’s not something I notice while watching movies), and Best Original Song (because it’s a stupid award. Instead, I’ve substituted it for my own award).
To make my decisions, I’ve seen 66 films that had a North American release date in 2008. The Academy nominated a total of 36 feature length films, of which I’ve seen 27 (75%). When you take out the ten films nominated in the foreign language and documentary categories (only four of which were released outside of LA/NY… I caught three of those), I’ve seen 24 out of 26 (92%), with the exceptions being Defiance (nominated for Original Score) and Australia (nominated for Costume Design). Thus, whenever my nominations divulge from the Academy (other than in those four categories), it’s because I disagree, not because I don’t know. Which brings me to why this very well may be my last post of this nature: I can’t imagine myself finding the time in the upcoming years to watch this many movies again.
So read on for part one of the end of an era…
As I did with my albums of the year list, I have to begin this list lamenting the fact that the 2008 year in film was not as good as the 2007 year in film. It was a down year for art in general, as pretty much any critic you read will tell you. Part of the reason for the negativity is the fact that the usual year end glut of awards baiting prestige films were largely disappointing, often ranging from merely solid to outright bad. And since that’s the steady diet critics (and myself) are fed around the time they write year end lists (albeit theirs come out at the actual end of the year, whereas mine waits until February, but I have to pay to see my movies), so it’s not surprising that the same enthusiasm wasn’t there, especially when the year before featured instant classics like No Country for Old Men, Zodiac, and There Will Be Blood.
Instead, the greatness in 2008 came not from the types of movies Hollywood likes to get dressed up for to dole out awards, but from the films fans line up for to buy overpriced concessions to see on opening day, or movies released early in the year when people weren’t paying attention. So this list is still filled with movies I enjoyed quite a bit, and recommend to everyone. As of this writing, I’ve seen 63 films released in North America in 2008, which includes some foreign language films that were released in their native countries in previous years, but doesn’t include some TIFF films I saw that haven’t yet been released (some of which would definitely contend for this list and will probably pop up next year… unless it is phenomenal). Of those 63, these were the best…
The Oscar nominations for 2008 were announced today (posted here). As always, my more complete thoughts on what were the year’s best will appear in both my year-end top ten movies list (which looks to be pushed back to early February this year) and the Andy Movie Awards, which should appear the week of the ceremony. But I thought I’d get some initial reaction on what the Academy snubbed, what they foolishly recognized, and what I have yet to see in my annual, catch-up-on-Oscars viewing checklist.
Three days and nine movies in, and the free stuff well ran dry today.
When you wait for a screening to start, you generally have to wait outside (except at the Scotiabank Centre), and if you want to get a good seat you have to wait outside for awhile. Companies looking to push samples of their product on people thus have a captive audience, which has led to us receiving a lot of free shit, some good, some bad. So far, we’ve gotten two free cans of Red Bull, a couple Dole Fruit Sparklers, a mini-bag of Starbucks coffee beans, a couple other coffee-related samples (I didn’t pay attention since I don’t drink coffee), two t-shirts, a bag of rice chips (sucked), some stupid hand puzzle, and a pair of mini binoculars (which we haven’t needn’t since we wait in lines to get good seats and all, but could come in handy for the upcoming Neil Young concert I suppose). But nothing today. Hopefully this doesn’t mean the end and is merely a result that we tended to stay indoors today because of the rain (both subway stops had indoor entrances to where we were leaving and arriving). I’m still hoping that the Sun Chips people are trying to expand their influence… I love those things.
Read on for musings on Food, Inc., Slumdog Millionaire, and Zack and Miri Make a Porno…