After the banner year in music that was 2007, I suppose it was inevitable that 2008 would be a let down. And it was. It’s not that there wasn’t any good music released this year; after all, I was able to come up with a full list of 20 (unlike with 2006, where I wimped out at ten). But there was a lack of greatness this year, with albums that rank very highly this year that would have ranked much lower the year previous. In fact, until I seriously started to think about how this list would shape up, many of the albums on it had failed to grab me throughout the year. In part, this has more to do with the fact that I spent the year listening to older music, but still, if I loved these albums like I loved the ones that topped last year’s list, I would’ve taken notice much earlier. The result is a list where I’m more comfortable with the bottom half (20-11) than I am with the top half. Not because the albums at the bottom are better (if they were, they’d be higher on the list), but because those albums feel like 20-11-type albums, whereas the albums that place highly on this album don’t really feel like high placing albums, but this year they are.
That said, these are all good to very good albums, and to prove it, I’ve included playable songs from each album. If that’s not enough to convince you click on the (more…) link, then there’s a good chance you don’t like my writing. And who needs you?!? Continue reading →
A change to the schedule today, which came with associated headaches. We realized that the 20 minutes we were giving ourselves after The Ghost to get to a different theatre (albeit one nearby) to see Chocolate simply wasn’t going to be enough, given that they start giving tickets to the rush line at about 15 minutes prior to the start of the film, and that we prefer sitting next to each other.
So we traded our tickets to see The Ghost for vouchers, getting up early to do so. Then we hopped on the subway to rush over to our next screening, realizing that the guy who did the exchange screwed up: giving us one regular voucher (which was correct), and one day voucher (which was not). Day vouchers can only be used for screenings prior to 5:00 pm, but we were planning on using it in a rush line for a 6:30 pm screening (as is our right, being Festival Lite package holders). So now we had to go back to the line from this morning, at a time when time was precious (we had to get in the rush line and grab dinner). After making the switch and grabbing some subs, we were pretty far back in the rush line for Uncertainty. But we made it into the screening (just barely), proving that the rush line process can work sometimes (largely because at this part of the week, no muckity-mucks are attending screenings anymore, so the reserved seats are turned over to rush liners).
Read on for musings on Synecdoche, New York, Gigantic, Uncertainty, and Me and Orson Welles… Continue reading →